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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He later founded the pioneering techno group The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his residence in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the last two years, following a spate of ill-health.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and cracked about five ribs and broke my arm."

After contracting a lung infection and developing sepsis, he was placed in an induced coma and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he worked on a new album with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I take some solace from the fact that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is different from being in a group, the connection is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He grew up in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to David, together with his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The duo were an unusual combination: Ball was the reserved musician, bent over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a unique creative synergy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of the early 80s, shifting millions of units globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, their initial LP, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were developing new material until just before Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to purchase my first home, having financial security and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth allowed we could afford newfound drugs to relieve the boredom" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a follow-up memorable record - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting record Cruelty Without Beauty.

Following another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on 30 September, 2018.

However, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's upcoming release as a tribute to the NYC nightlife they frequented while recording their first two albums.

He added that his time in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the times we had in the 1980s."

The last versions were finished only a short time before Ball passed away. It is due for launch in Spring 2026.

About the author

Nicholas Pope

A digital trend analyst with a passion for uncovering emerging global patterns in technology and culture.

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